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YOU'RE UNDER
ARREST / TAIHO
SHICHAUZO
Comics Afternoon /
Kodansha
Released in North America by Dark
Horse Comics.
Translations by Studio Proteus
Dark Horse Arrests Readers
Recently, Dark Horse has taken a good amount of flak for its treatment
of the Oh! My Goddess translated manga series. A recent bad
judgment call regarding the use of Peorth cover art on an issue that
did not even feature Peorth certainly has not helped. And though Dark
Horse has repeatedly tried to reassure fans that they plan to run the
entire series, both continuity issues and the fact that we
still have yet to see most of the volume 1 stories linger. On the
other hand, Dark Horse's treatment of another recent title,
Gunsmith Cats, has been admirable. Despite initial fan
complaints regarding the change to Minnie May's age, Dark Horse has
since put out a relatively faithful effort to preserve the integrity
and continuity of the Japanese original, including most of the splash
pages.
So, when Dark
Horse and Studio Proteus announced they would release
AA! MEGAMISAMA creator
Fujishima Kosuke's first manga
series, TAIHO SHICHAUZO,
under the name YOU'RE
UNDER ARREST, it was
safe to assume that its treatment would be no
different from any of their other long series, like VENUS
WARS or OUTLANDERS. Alas,
this is not the case.
The first hint of
disappointment is the first issue cover, itself,
which comes not from the first volume tankoubon artwork, but instead,
the sixth. Sure enough, the first of two stories in Dark Horse's
issue one corresponds not to the original series' File 1, but to File
53. (Oddly enough, File 53 appears in the fifth tankoubon volume, not
the sixth.) Thankfully, despite the late entry to the series (There
are 79 Files in total.), Dark Horse then proceeds to follow
Fujishima's original continuity of tankoubon volume 5.
This still begs the
question: Why? The reasoning behind the story
hopping that occurred with OH!
MY GODDESS was the
cross-promotion with
AnimEigo's
anime release and the consequent need to introduce characters and
stories that paralleled the OAVs. But, this is not the case with
YOU'RE UNDER
ARREST / TAIHO
SHICHAUZO as the OAVs are original stories not
based on the manga. Moreover, the decision to begin with volume 5 is
an ill-chosen one. For example, in File 54 (the second story of the
first issue), the story revolves around Natsumi's attempts to finally
obtain an automobile driver's license. It should come as no surprise
that her lack of a license is instrumental to more than a handful of
stories before volume 5. How will Dark Horse handle this when it is
time to go back to the earlier stories?
Even more critical
in its omission is character development. By
starting past the halfway point of the series, Dark Horse skips all
the character introductions. And while new readers who are
unacquainted with the original manga, but have seen the OAVs, can be
expected to know who supporting characters like Yoriko and Nakajima
are, they certainly will be at a loss regarding the quirky
characteristics of manga-only character, Futaba Aoi.
It would seem as if
the only semi-plausible region for Dark Horse to
start so far into the series would be the artwork, as Fujishima's
character designs undergo major changes across five volumes. To wit,
the initial designs afford both principals short hair making it easier
to mix them up. Perhaps Dark Horse felt the need to start their
series with the same designs that OAV character designer Nakajima
Atsuko used as a base for her anime designs.
One of the problems
with being a purist is the predisposition to allow
niggling details to cloud the big picture. That said, most of the
complaints so far regarding Dark Horse's translation of
YOU'RE UNDER
ARREST certainly fall under the realm of the purist. To the
average non-purist reader, ARREST is simply a delightful,
light-hearted series which has been commendably translated by Studio
Proteus and released by Dark Horse. Moreover, since ARREST
is what would be called a "slice of life" series, it is less episodic
than a romance series like A!MG or a political drama like
VENUS WARS. Thus, continuity
issues in plot become a minor concern.
Therefore, discarding
purist pretensions, what we have here is a
wonderful, light series on the lives of two Tokyo policewomen: the
normally quiet and technically savvy Kobayakawa Miyuki and her more
spirited, live-for-the-moment partner, Tsujimoto Natsumi. Throw in a
full supporting cast from the precinct and what we get is a lively
character-driven series with fun plots and likable characters.
GUNSMITH
CATS this is not. On the other hand, the stories
are not quite as simple as the OAVs, thereby reaffirming the
stereotype that the manga original is superior to its anime
adaptation. It is rough-edged at places, but then again, this is
Fujishima's first series -- and the aforementioned problems in lack of
character development stories certainly do not help.
The artwork is superb.
Certainly, Dark Horse chose the
best point to begin the series from an artwork consideration. The
fifth tankoubon is about the point where Fujishima's designs start to
jump out at the reader. Miyuki has grown her hair out into that
distinctive ponytail while Natsumi's rough edges (literal!) are
softening up. Over the remainder of the series, these designs will
continue to improve ever so slightly. The only problem in the art
department is a seeming callous disregard for splash pages. In many
cases, the first story of the issue is missing its splash page altogether,
while in the second issue, for example, the splash pages for
the two stories were swapped.
Studio Proteus puts
out another fine translation effort. In a third
issue story, a crossword puzzle refers to a popular Japanese idol
singer probably not well-known to North American readers.
Studio Proteus changes the reference to well-known anime fan and
musician Matthew Sweet. A nice touch.
In spite of a dubious
decision to start two-thirds into the series,
Dark Horse's effort proves to be more in line with its earlier
history, thereby lending credence to the idea that the initial blunder
that led to the story-skipping in O!MG is a fluke rather than
the norm. Almost all of the shortcomings are minor, indeed; normal
readers are not nearly as nitpicky as purists. If you're looking for
another well-thought out series in the same vivacious spirit of its
anime analogue, then YOU'RE
UNDER ARREST will not
disappoint.
--Roderick "Agitator" Lee |
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