by Charles McCarter
Animation is an art form, and as such it appeals differently to different
people. Perhaps that accounts in some small way for the success and variety
of animated programming, especially in Japan. But so much of the time it is
the show with the flashiest animation or the biggest advertising budget that
gets the lion's share of the public's attention.
ROMEO is part of a long-running series in Japan entitled the "World Masterpiece Theater," which airs on Fuji Television. The animation is always done by Nippon Animation, a studio established in the late 1970's by a young pair of animators who have since gone on to become synonymous with the best Japanese animation has to offer Miyazaki Hayao and Takahata Isao. The first series, A DOG OF FLANDERS (FURANDAASU NO INU) debuted in 1975; the World Masterpiece Theater has continued running a new show every year since. Each show is based on a classic of children's literature from around the world. Other shows have included ANN OF GREEN GABLES (AKAGE NO AN, 1979) AI NO WAKUSA MONOGATARI (TALES OF LOVE'S YOUNG GRASS, based on LITTLE WOMEN, 1987) and FAMOUS DOG LASSIE (MEIKEN RASHII, 1996). ROMEO NO AOISORA is based on the novel FRATELLI NERI (THE BLACK BROTHERS) by Lisa Tetzner. Nippon Animation used the German translation, DIE SCHWARZEN BRUDER as the basis for the story; the novel has not been translated into English. Nippon Animation's official English title of ROMEO NO AOISORA is "ROMEO AND THE BLACK BROTHERS." Nippon Animation also does other projects besides the World Masterpiece Theater; their other credits include Miyazaki's MIRAI SHONEN CONAN (FUTURE BOY CONAN), CHIBI MARUKO-CHAN, and TONDE BUURIN.
For the most part, however, Romeo's family is happy, and content to subsist and survive as best they can. Their joy at being together makes all things bearable. Romeo has a decent life a loving family, a would-be girlfriend, and a constant companion in Piccolo, his pet weasel. As if drought and crop failures weren't enough, the town is further plagued by the arrival of Luini, "the God of Death." He is a child broker, offering to buy children off of destitute families to go work as chimney sweeps in Milan. A parasite who makes his living at the expense of others' misfortunes, his presence makes the townspeople anxious.
But Romeo's father is injured, and they have no money to pay for a doctor. Neither do any of the townspeople, Romeo discovers, as he offers to do odd jobs for them to earn the money necessary to restore his father's health. Romeo realizes that his father could very well die if he doesn't get medical attention. And of course, if his father dies, what will happen to his family? So, in true Romantic style, Romeo sells himself to the God of Death for 25 francs. Having sold himself to this strange and cruel man, what will become of him as he leaves his family and everything he loves behind and moves to a strange town to do a dirty, dangerous job? Next: The Characters |