MARMALADE BOY #62 (KD AND CHRIS SWETT) Aired May
28, 1995
Because
Chris S. has been keeping me up to date from Japan, I've been
able lately to keep abreast of what has been happening in MB
on a week to week basis. About Episode 62 he writes:
Chris
Swett: The episode opens with a flashback to episode 61. Jeannie
stands outside Yuu's dormitory room door, acting like it's her
room. Miki is in the dorm looking for Yuu but he's out at a beach
house studying with Brian and the purple haired guy. (Karen:
the purple haired guy would be Yuu's roommate, Bill). Jeannie
(Jinny) tells Miki that men will be men and that she lives in
Yuu's room with him (she doesn't tell Miki where Yuu is). In
episode 61 she expects Miki to scream at her that he's lying
or something to refute the claim, so she goes in Yuu's room and
closes the door. She counts backward from ten, expecting Miki
to beat the door down when she gets to zero. Miki instead hangs
the message recorder on the doorknob and walks away with tear
filled eyes, not knowing where Yuu is and half not caring. Episode
62 omits this part from the flashback.
In
this episode Miki takes the ferry back to Manhattan, her eyes
still filled with tears. She wanders around Manhattan for a while
before going back to the hotel where she and Meiko are staying.
She tells Meiko what happened and that she couldn't find Yuu.
She says she wants to go home to Japan.
Jeannie
sites in front of her school notes, twirling her pencil.
She feels guilty as hell, but is balancing that precariously
against hope that Yuu's girlfriend from Japan will never come
back. Her roommate comes in but she doesn't confide what she's
done.
Out
at the beach house the boys are studying hard, but Yuu can't
keep his mind on his studying. He wanders out to the beach to
stare at the stars. The purple haired guy comes out as well and
asks Yuu what he's thinking about. Yuu doesn't answer.
Back
at the hotel, Meiko is unable to get Yuu on the phone, so she
repeatedly leaves messages on his answering machine. Miki, fed
up and desolate, insists that they go home. Meiko calls the airline
and makes reservations.
The
next day the purple haired guy calls Ann (Karen: This is the
same Kitahara Anju from volume 9 - MB #37-40 that Yuu calls "An"
for short.) After some wrangling he gets a date, then Ann asks
if Yuu and Miki have gotten together yet. Thusly, Yuu gets the
word that Miki is in town. They all jump in the jeep and head
for the dorm. When they get there, Yuu finds the memo machine
on the door and the messages in the recorder. In a panic, he
heads for the airport.
At
the airport Miki wait's by the luggage while Meiko goes to the
counter to pick up the tickets. She hesitates, wanting desperately
for Miki to change her mind, then tells the attendant she doesn't
need anything after all. She goes back and tells Miki that the
plane was overbooked and that their reservations were canceled.
They'll have to wait for a standby. They sit.
Yuu
busts into the airport, yelling Miki's name. He finally finds
her and grabs her in his arms. He tells her that Jeannie lied
to her. She doesn't hug him back. She simply says she can't live
at the end of a phone line anymore, it won't work. He needs to
come back to Japan with her. He thinks for a long moment, then
says that he's sorry but he can't Miki says that then it's "sayonara".
Next
week Yuu and Miki try not to think about one another, and fail.
Michael and Kei both begin to draw Miki out of her depression.
Michael performs funny antics and Kei exudes a peace of mind.
Karen's
note to readers...
Fortunately, I have seen all the episodes up to #60 and I feel
the humor and style is still there on these. But the #61, 62
episodes had me worried so I wrote Chris the following questions:
Karen:
....Is there any humor? (to soften it)
Chris:
I don't recall any humor in this episode at all. The next episode
promises humor as Michael tries to cheer up and win Miki.
Karen:
I'm really serious about this...just between you and me, do you
think the show is still holding it's quality through all this
HEAVY stuff between Yuu and Miki?
Chris:
The whole character of the show suddenly changed when Miki, completely
unexpectedly, told Yuu that their relationship would not survive
at the end of a phone line. You could guess that this would be
the case, but the last thing you expect is that Miki will realize
it and tell Yuu. lt's like Miki matured about 10 years in a couple
of days. It's still a high quality show, and much less predictable
now.
(Karen: The show has never been predictable but certainly Miki's
reactions HAVE BEEN! This is totally different for her and it
should be interesting to see how's it's handled by the writers.
Chris is right, Miki's new attitude could cause us not to know
what she'll will do in the future.
Frankly,
with Yuu planning to be away for a year and a half and with two
young studs after her (driving a lonely, depressed Miki out of
her mind), Jinny after Yuu in New York, and them not being able
to contact each other, it's no wonder Miki said it couldn't work.
But we do know from the eye catches that they will remain in
love with each other. I wonder how they're going to pull the
story back around. I've mentally written from very good conclusions
to this...but, unfortunately, I've found from past attempts at
this, that I'm more of a romantic than even the MB writers!
6/24/95
Masatomo
and I have completed the translation on #62. We're lucky as Americans
that we can understand enough Japanese to sort of understand
what's going on in the anime, but when you get a native Japanese
to explain, a whole new light can be shed on things:
Jinny
remembers the conversation with "Yuu's girlfriend"
and, as Chris put it, feels guilty as hell. When Doris asks her
what's bothering her, she can't quite bring herself to tell her.
Meiko
repeatedly tries to get hold of Yuu but can't. She leaves a message
"Matsuura-kun, this is Meiko. Miki says no matter what,
she's leaving for Japan tomorrow."
Meiko returns to Miki, who is watching an old movie that has
a couple dancing slow and close. She remembers dancing with Yuu
just like that. Meiko turns off the TV. and asks Miki if she's
sure she wants to go back the next day. Miki can only weakly
say "Mm-hm. Meiko is stunned "You do? Without meeting
him at all? Why didn't you make sure? If I were..." Miki
stops Meiko mid-sentence, "We've separated (I believe this
means that their feelings are not the same for each other). When
I heard about Yuu from Jinny...I heard something break. It was
the sound of breaking glass."
Meiko
understands what Miki's words mean. All she can say is "Miki".
An
emotionally weary Miki explains "If I entered the room....and
Yuu was sleeping in the bed like she said....my feelings would
be shattered. I wouldn't be able to pick the pieces. So, I couldn't
do it. I couldn't do it."
Meiko suggests that it's getting late and that they should go
to bed.
Out at the beach house, Bill is looking for Yuu. He finds him
outdoors and asks his what he's thinking about. Yuu smiles and
tells him he's not telling. Bill figures this is a good time
to ask him something. "Yuu do you have feelings for An?
Yuu tells him that he doesn't. Bill asks if he's sure. Yuu doesn't
hesitate to say "Yes". Bill tells him he's decided
to ask An if she'll date him and adds "Don't be so surprised.
Yuu remarks uncomfortably that he's never seen him ask a girl
out. Bill puts his arm around Yuu's shoulder and cutely says
"Surely, you didn't believe that rumor." Yuu embarrassed
returns "Uh, noooo. Not at all!"
Miki
lies hidden by the blanket(s) on her bed. Her eyes stare blankly
into nothingness. Meiko tries to call Yuu again. The answering
machine repeats the usual message "Bill and Yuu are out
at present. Please leave a message" Meiko does. "Matsuura-kun,
you IDIOT! PLEASE get in touch with us!
An
practices her violin as she remembers Meiko telling her that
Miki was in New York to visit Yuu. The telephone rings. It's
Bill. He suggests to her that they could go to a movie after
her violin lessons on the coming weekend. An again remembers
that Miki and Yuu are together, so she's decides to go with Bill.
Upon a thumbs up to Yuu from Bill, Yuu comes up and gives Bill
and congratulatory slap on the back. Bill makes a noise and Anju
asks what the matter is. Bill tells her that Yuu knocked him
over. An comments that Yuu must be happy because he's with Miki.
A
mad dash occurs as Bill at the wheel peels rubber trying to get
Yuu back to the city and Miki.
Meiko
goes up the ticket counter. Then changes her mind. She comes
back to Miki and tells her that they're booked up. Without reservations,
they have to wait for a cancellation.
Yuu
races into the dorm and nearly runs Doris down. He hurriedly
asks if Miki had come there to see him. Doris is confused and
asks Jinny if she has. Jinny only says that she "may"
have come there the previous night but that she soon left. This
comment confuses Doris who starts to say something. Yuu is in
too much of a hurry. He races up to his room.
He finds the memo recorder on the door knob. He plays it "Yuu
I love you. I want to see you right away." He says her name
with love.
Bill
catches up to Yuu and suggests that they get into the room first.
Inside Bill sees that there are messages waiting on the answering
machine.
"Matsuura-kun,
this is Meiko. Miki says no matter what, she's going back to
Japan tomorrow."
"Matsuura-kun,
you IDIOT! PLEASE get in touch with us!"
"Miki's
leaving now...
....she'll remain believing that you and Jinny have been making
love!"
Yuu
stands staring in shock.
Miki
seems in a stupor as she asks Meiko "There hasn't been a
cancellation yet? Meiko gently replies "That's right".
Right in front of Miki can't help see a couple kiss goodbye.
The man walks away from his girl or wife and waves his arm in
just the way Yuu did when he left. Suddenly the man is Yuu as
he turned and smiled at her. But, then Jinny runs up to the imaginary
Yuu and they kiss.
Miki
loses it. And begs Meiko. "I just want to go home...! I
want to forget everything that's happened here. Meiko can't stand
to see Miki suffer anymore. She sets her back down on the seat
and go to the ticket counter with new determination. Just as
she's ordering tickets to the Narita airport, Miki's name rings
through the building. Meiko stops. Yuu yells for Miki over and
over and he races to find her. Finally Miki stands blankly and
numb. Meiko waves her arm to get Yuu's attention.
Yuu
rushes to embrace her. He quickly tells her he's sorry. That
he's been at Brian's beach house and that he didn't know she
was there until An told him. Of course nothing happened with
Jinny. Not at all. He again repeats that he's sorry and that
he wants to apologize.
A
weak voice says "No".
"No?" Yuu is bewildered.
"I can't be your girlfriend anymore."
Miki.
"I'm Tired. Having a romance at the end of a phone line
and not catching each other... I was worried that you had a new
girlfriend... I'm worn out. I thought I could wait for you, that
distance doesn't matter...but I'm not OK. I won't be OK unless
you're close to me. If you go back to Japan with me now.. "
She sadly adds "But you can't do that, can you?"
"I'm
sorry. You're in pain. I didn't know...obviously. As for me,
all I can say is
`wait for me'. Is that so bad? If you still feel pain........(Yuu
is obviously having
difficulty saying the rest)....then there's nothing I can do
to stop you from breaking up
with me."
Miki
seems startled briefly by his last words. Through gently falling
tears, Miki smiles softly at Yuu and thanks him for understanding
her. She goes to her purse and pulls out the auto dialer and
tells him she won't need it anymore. He lifts his hand and she
drops it into his palm. She says "Sayonara" and walks
past him. Yuu's eyes show that he is as stricken as she is.
Commentary:
I noticed something VERY unusual in this story. It's a concept
that I doubt
has even been commented on or expressed in the American film
industry. Of course,
this story shows a no win situation between two nice people who
are madly in love.
No bad guys. That in itself is not a usual concept expressed
in our industry either but it's not
the one I'm referring to. Its this
I
personally tried to figure out when Miki decided to break off
with Yuu. But I noticed
something interesting. Even to the point where she's outside
of the dorm begging Yuu to come to her to give her a last chance
to save they're feelings for each other, se hasn't decided to
break off with him. Instead she says that if she leaves that
area, her feelings were going to come away from him too. It didn't
sound like a conscious decision but that something would happen
to her feelings whether she wanted it to happen or not. (Of course,
she has to leave because he's not there.)
Miki
later describes it as the sound of break glass. I don't know
if readers will agree,
but I get the distinct feeling that the author(s) were not talking
about a decision at all, but
that there was a physical break between them...very reminiscent
of the description given of the aura that supposedly connects
two people in love and how it can break when there's a separation
between lovers.
Emotionally
exhausted and as she put it to Meiko "separated from each
other", (again it sounds like a tangible thing) it was how
she was able to break off from Yuu. This is something she wouldn't
never done in the past.
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