I absolutely
adore Chara who is one of the most interesting women in Japanese music.
A childlike singer who's very quirky and kooky with messy hair, big eyes
and a big mouth. She's a real talent who wears many hats as composer,
lyricist, singer, pianist, artist, actress, producer, wife and mother.
I was introduced to her via my friend Keiko and I'm sure glad she did.
At the time, since I was used to more clear-cut pop or rock music, when
I first heard Chara's music I wasn't sure what to make of her. But as
I kept listening to more and more songs, I became inexplicably drawn into
her unique sound.
Nicknamed Chara as a child in school when she would do "chara-chara" (the
written sound of someone fidgeting restlessly) in class all of the time.
The name stuck with her into adulthood and even now, few people know her
real name. As a young girl Chara was a bit of a child protege showing
a natural ability to compose fairly complex songs at the age of 4. After
getting formal lessons, by age 6 she had her first recital with her own
original composition. In the years to come she would become reknowned
for her skill with they keyboard and her passion for American and British
pop. She also seemed to wear rollerskates wherever she went. At the age
of 14 she started her own pop band playing keyboards and writing songs.
It took some effort to find a good vocalist for her music until Chara
realized she could do it herself. Her childlike singing was perfect for
communicating her similarily childlike songs. By 1990, Chara had attracted
the attention of Epic/Sony records and was signed to a 5 year contract.
While not an instant success, after more nationwide TV exposure Chara
soon became one of the fastest rising music stars in Japan.
| Chara has
always had a persona of an eternal child. In many ways she's always
seemed to be 5 years old. Although she is a smart and saavy woman,
Chara has a certain kind of youthful innocence that carries into
the way she looks, acts, sings and lives life. It's no act either,
this is her real self. This persona has won her countless dedicated
fans from all over Japan who admire her youthful look and behavior.
Her singing
style is wispy and childlike, yet soulful. The thing I came to
appreciate most is how textured and multi-layered her songs are.
Not only in the musical arrangement but with her singing too.
She does so many great things with her voice and all of her songs
take influence from many styles like pop, jazz, R&B, hip hop,
blues, 70's rock, soul folk and funk. It is based in pop influences,
but I wouldn't hesitate to call it alternative since it's usually
so hard to categorize.
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1995 and 1996 were pretty eventful years for Chara. She married actor/producer
Tadanobu Asano and gave birth to a baby girl whom she named Sumire. A
couple of months later she released a greatest hits album (which was my
first exposure to Chara) with a title that pays homage to her daughter.
The addition to a daughter to her life seemed to have a destinct impact
on Chara's creative output making her even more willing to express her
youthful personality.
In the early years of her career, Chara tried to go against her usual
persona and made an attempt to foster a more glamourous and sexy look.
But her personality always came through regardless. So she tended to be
a bit of a mismatch. But sometime after the birth of Sumire, Chara began
to lose the glamour look and has gone with a more natural and earthy look
that goes better with her free-spirited character. Chara had become a
favorite of famed director Shunji Iwai starring in three of his movies,
Picnic (1994) and Swallowtail Butterfly (1996). In Swallowtail, Chara
played a character of Glico who was part of a rag-tag group of outcasts
in a fictional near-future Japan where the high value of the yen had caused
the country to become a veritable gold-rush country filled with immigrants
trying to make a better life for themselves. Glico's gang came to call
themselves the Yen Town Gang. For her role she won an academy award
as best actress. Chara along with Iwai and some others formed a rock-based
band called the Yen Town Band spun off from the same band they played
as in the movie. Chara in fact played the movie's character Glico as part
of the shtick. Produced by Takeshi Kobayashi, a well known producer of
some of my other favorite bands like Mr. Children and My Little Lover,
Yen Town Band released one album together of songs featured in the movie.
Also Chara joined another group "The 99 1/2" as the vocalist. Afterwards,
Chara went back to her solo work in 1997 to release her best selling album
to date "Junior Sweet". This year she's followed up her landmark album
with yet another groovy album "Strange Fruits". Her
music just keeps getting smarter and more eclectic. I can't say enough
good things about her and only wish that most of the pop music industry
was as imaginative as Chara.
Mason's
Favorite Album
Junior
Sweet
I suppose if I had a favorite album it would be Junior Sweet. Here
we are treated to a reborn Chara with a new outlook and fresh creative
vision. Her previous albums were all excellent and full of variety,
but this album is even more eclectic and seemed to show more of
Chara's true nature, or rather the side of her that had become mother
and wife. It starts off great with a folksy pop song Milk.
Songs like Yasashii Kimochi, Shima shima no Bambi and ... are
childlike, yet funky songs that have become Chara's trademark. Junior
Sweet is an absolutely perfect 70's retro-R&B song while
Doko ni ittan darou? Ano baka wa is a stellar 60's retro-rock
song with a touch of psychadelia. That song along with the harder
Katte ni kita are reminiscent of Chara's rock-based work
in the Yen Town Band. Personally I'm glad to hear she's been able
to carry that sound into her solo work as well. Time Machine
is a beautifully spacy slow song with a lone guitar, drums, harmonica
and violin. Her penchant for retro pop sounds continues to come
through in many other songs such as the jazzy Watashi wa kawaii
hito to iwaretai. Apart from Time Machine, Hana no yume
and the short Setsunai mono are other wonderful ballads.
Ai no kizuna and Watashi no namae wa o-baka-san remind
me a lot of Chara's older style. So there's a lot of variety in
this album. It's a great first album to buy. |

(1997/9/21)
01. Milk
02.Yasashii kimochi (shiawase version)
03. Shima shima no Bambi
04. Watashi no namae wa o-baka-san
05. Time Machine
06. Kate ni kita
07. Doko ni ittan darou? Ano baka wa
08.Watashi wa kawaii hito to iwaretai (original version)
09. .Junior Sweet
10. Hana no yume
11. Ai no kizuna
12. Setsunai mono
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| Mason's
top 25 favorite Chara songs
1. Swallowtail
Butterfly [Yen Town Band]
2. Junior Sweet
3. Yasashii Kimochi
4. Tiny Tiny Tiny
5. Time Machine
6. Atashi nan de daki shimetai n darou?
7. Hikari to watashi
8. Doko ni itta n darou? Ano baka wa
9. Iya
10. Violet Blue
11. Ai no jibaku souchi
12. Break These Chain
13. Heaven
14. Mama's Alright [Yen Town Band]
15. Katte ni kita
16. Sunday Park [Yen Town Band]
17. Milk
18. Duca
19. Tsumibukaku aishite yo
20. Watashi wa kawaii hito to iwaretai
21. Happy Toy
22. Ai no kizuna
23. Sharotto no okurimono
24. 70% Yugure no uta
25. Sweet
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My page may very well be the only English language Chara page out there.
Chara has a huge loyal following in Japan, but she's relatively unknown
to non-Japanese J-pop fans. Therefore there aren't really any pages dedicated
to her in english which makes it hard to compile a good set of links.
So just for your info, the pages below are all Japanese.
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