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From: From: Janet Gauntt (JLGauntt@aol.com)
Dear EX Staff,
The first I read your magazine several months ago. I thought
wow! good job... they'll never be able to sustain it though. I
figured it was just another flash in the 'net web page. But you
just keeping delivering, don't you?
Great issue this month. I especially enjoyed the editorial on
one of my personal favorites KNT GATCHAMAN
(dare da, indeed :) and found the technical articles by Frazier and Ho quite
interesting. (And after reading the reviews, I would really
like to figure out where I can get my hands on a copy of
KOMOREBI NO MOTO DE...)
Besides the blatant, fawning appreciation of your magazine,
I was actually writing to give you a tidbit on a series you
might want to review if you're looking for stuff that is
somewhat inspired by anime. This would be the French
produced animated series NIGHTHOOD (the English dub - which
starts off awful but fortunately gets better - is showing only
in Canada on YTV as far as I know). This is a show focused
on the adventures of a character most of us (North) Americans
would know only from anime - Arsene Lupin. It doesn't really
try for an anime look per se (in the 'look' , I would say it's more
influenced by the movie Citizen Kane than anything else); but
you can definitely see the anime influences. Can't give you
any more info than that as I've only watched it 10 or so
episodes of it, not researched it.
Janet,
You'd be surprised how far a little blatant fawning appreciation will go.
Komorebi no Moto de should be available at your local Japanese
bookstore (if you are lucky enough to have one where you live). If not, I can only
suggest that you contact one of the anime mail order places that handle books.
Thanks for the information on this series. I'll have to see if I can find
it somewhere and take a look for myself.
From: James Harris (mmedley@bgnet.bgsu.edu)
Well what can I say? The new issue was great. I'm still drooling from the
MACROSS VF-X article and the GATCHAMAN editorial had me laughing out
loud. I noticed one release one your CD list that was absent, The New
1997 SAINT SEIYA Memorial Album. It came out
one the 21st of January and it is a pretty important CD as it will determine whether or not
Toei/Bandai will bankroll a new SEIYA TV/OVA series to animate the
final story. But then again getting the information you do must take
tons of work so I shouldn't be so critical. [Hey, I'm a long time SAINT
SEIYA fan, what can I say!!]
James,
I've received a lot of e-mail that said the GATCHAMAN editorial
has struck a chord with them; I'm glad I'm not the only one who sees the humor (and the
absurdity) in this situation.
The staff member who collects our Japanese release information apologizes
for leaving out the SAINT
SEIYA CD, but it wasn't in any of his source
materials. (And even if it was, those release lists have such tiny print, I
couldn't blame him if he missed it).
From: Henry Lee (ranma@prodigy.net)
Hello, I am an anime fan that happens to be obsessed with the Internet
as well. I stumbled on to your page when you were by issue 3 or so, and
knowing the scarcity of anime magazines decided to look it over. I was
and am still impressed by the overall quality of your page. It's good to
know there's an anime magazine out there with excellent information for
free. Keep up the good work!
Ok, now to the real heart of my letter. Having got into anime about two
years ago, I've searched for more and more anime (You wouldn't believe
how hard it is to find anime stores in Florida), and have matured
somewhat in tastes. But there are still a few areas that are blurry to
me. First, how exactly does a company decide which series to buy and
distribute in America? I mean, extremely good series are being released
right now (RANMA, EVANGELION,
BLUE SEED, DRAGONBALL), but there are so
many other good series in Japan (ESCAFLOWNE,
DNA2, MAGIC
KNIGHT RAYEARTH). I can understand if the title is a big one and is too
expensive (GUNDAM), but the series I've mentioned are moderately sized.
Could you explain how companies "grab" a series for distribution?
My next question is somewhat related. When a company does get a series,
does it get the entire name or just that season? For example, AD Vision
got the rights to BLUE SEED. I heard in Japan though, that they have
released a second OVA series, BLUE SEED 2. Does AD Vision
automatically get the rights to that as well? I'm asking this because I heard Gainax
is re-releasing the last two EVANGELION episodes, and I would like to
have those and the original for comparison.
Finally, how do we go about e-mailing reviews and such?
Henry,
We get a fair amount of mail asking many of the questions that you have
asked about the American anime industry. And leave it to RIAP's Chad Kime
to take up the banner and try to address them in this issue's RIAP
Writes! For inspiring Chad to not only write a
very lengthy column but also to get it in early, I am pleased to
inform you that you're one of this month's letter contest winners.
As for submitting articles to EX, you can e-mail me directly with your
questions at phoenix@apricot.com.
The submissions policy was printed in the letter column a couple issues ago.
From: Clemson L. Mayfield (mayfield@fld94.alsnet.peachnet.edu)
I recently discovered how much better japanimation was than american
animation, and I wanted to know if there is a place in which I can learn
to draw japanimation and if there is an american channel that airs a
healthy amount of japanimation.
PS: What is "manga"?
Clemson,
I'll do the easy question first. "Manga" is Japanese for "comics," but it
also reflects comics drawn in the Japanese styleincluding RANMA 1/2, GUNSMITH CATS,
and the like. You will find that many U.S. comic artists say that
they draw in a Īmanga' style, but that's not really accurate; it's more
accurate to say that they incorporate elements of manga style into their own
style.
Unfortunately, the only places that I know of for learning how to draw
anime are the animation schools in Japan. You may want to investigate
getting a copy of the book Drawing
Anime, but I can't
say how useful it will be to you if you don't read Japanese.
And finally, there is no american channel or network that broadcasts a large
amount of Japanese animation. But you can find the Japanese megahit
DRAGONBALL Z being syndicated in the U.S. Also,
the Sci-Fi channel runs an
anime feature every Saturday morning during their "Saturday Anime." But
there isn't much else. Your best bet would be to find a good video store
with a large anime/foreign film section.
From: Roberto Arboleda (rarboled@gye.satnet.net)
Hi there,
By my name you should be guessing now that I'm a latino boy... well, yep. I
live in a little country called Ecuador (The middle of the world) in South
America, and I've been an anime fan since the appearance of MAZINGER Z.
After all this years, I've been exposed to several anime series (I'm
witness of the multiple personalities of the characters from G-FORCE) and
some videos bought in the US. The last 6 months have been very productive
for my anime-addiction: I keep accessing the Web all the time searching for
everything regarding my favorite series and movies.
In one of my explorations in the Internet World, I could notice a great
difference between the Sailor Moon series released in the US and the ones
transmitted in Latin America: You people can watch the SAILOR
MOON R series too! At first I was a little angry because I'd watch the Scouts die and
resurrect and nothing else... I didn't knew by the time but I was really
lucky! Even though I could watch only one season, it has your Two-Seasons
value! Why? The episodes are uncensored! Yes people, I can watch everyday
complete uncut episodes of one of the best anime series ever released in
America. I really hope that the Mexican company that dubbed the series will
be signing a few more contracts to bring us latin-fans the rest of the series.
Ja ne!
Roberto,
I continue to be amazed at the number of people in South America who read
EX and send us mail.
Nearly every anime series that airs on U.S. television is "adapted" in some
way. For example, the reason for the presence of the irritating R2D2
knock-off 7-Zark-7 in BATTLE OF THE PLANETS
was because much of the
more violent footage (earthquakes, explosions, people being killed) had to
be edited out for U.S. television. And that with the current pressure from
the government and special interest groups, this is not likely to change in
the near future. Of course, another reason for editing episodes together
for Sailor Moon was to meet the syndication minimum required. Still, it
seems that you had a distinct advantage over U.S. SAILOR MOON viewers.
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