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Mr. Ishiguro, long-time anime industry veteran and director at
Artland Studios. |

The Studio Visit
by Egan Loo
If you're looking for anime studios in the middle of the urban sprawl known
as Tokyo, your best starting point is Chuuoh line's Shinjuku, heading west.
The Chuuoh ("central") train line runs east to west right through the
heart of Tokyo, and as a result meanders its way through the
relatively less expensive real estate to the west of Shinjuku
station. Even in an age where most of the grunt animation work of
'tweening and inking has been offloaded to studios overseas, every
effort is made to keep domestic overhead to a minimum. Here you will
find Ghibli, which is a few train
stops from AIC, which is a few train stops
from Production IG, which is
is a few stops from Gainax, which is a few
train stops from Studio Nue, which is ...
Artland's main studio itself is on the Musashi-Sakai stop, with its
typical Tokyo neighborhood of winding narrow streets and mom-and-pop
shops along the main throughway. Like most anime studios, it is tucked
away on an upper floor of a small building, hidden except for a small
sign or the name on the mailbox. In this otherwise nondescript
setting, president Ishiguro
Noboru directed an ever-changing crew of animators through several
decades of anime classics from YAMATO and MACROSS
to MEGAZONE 23 and more
recently, the LEGEND OF GALACTIC HEROES
(GINGA EIYUU DENSETSU or "GinEiDen"). Due to
Ishiguro's work on these series and his
teaching post at the Yoyogi Animation Gakuin (Institute), the industry
considers Ishiguro an affable and respected veteran.
In the past, Artland was a bustling operation spread across three
studios in different locations. A book by the name "It's Artland" was
even written about the various artists and creators from director
Hirano Toshihiro to designer Yuuki Nobuteru (and not incidentally,
iconoclast Anno
Hideaki) who earned their laurels in Artland. Even EX's own Scott Frazier made his way up the
industry in Artland before establishing his own studio and later
moving into Production IG.
(In one humorous cartoon penned by Ishiguro himself, Ishiguro walked the
aisles overseeing his troops, including a harried Mikimoto Haruhiko swamped
with drawings. Off to the corner, a dozing man's dark-tanned feet stuck out
from underneath curtains -- an affectionate inside joke on Studio Nue's
Kawamori Shouji. He spent more nights sleeping at Artland than at Nue or
even home while working on many episodes of MACROSS.)
Since the bubble burst on Japan's economy several years ago, almost
every studio in the industry struggles to find work from short-run
video series and video game tie-ins, and Artland has become a somewhat
quieter operation. Fortunately, Artland has kept busy with
LEGEND OF GALACTIC HEROES, a sprawling yet
tightly written space epic
which may have at long last reached its ending. This anime based on
novels by Tanaka Yoshiki (SOURYUUDEN,
ARSLAAN WARS)
first came to the silver screen in February of 1988, and has since
spawned four video series encompassing 110 episodes as well as a
second movie and a video side story.
Since the EX contingent
arrived at Artland in Friday afternoon last
December, few of the workers had yet to even come in for work. Animators
being animators, many drop by the studio in late afternoon or early evening
and work through the night. While EX waited for more to come, Ishiguro sat
down and described some of the current and future projects of Artland
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